PARIS -- v> Loewe thrust Paris Fashion Week into a bleak and dystopian vision of the future on Saturday -- turning its runway into a dead space where nature and animal life only existed to be harnessed and exploited by humankind. A sanitized white wall descended onto a bare deck as models walked by robotically, bathed in misty white light.
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Loewe presents a dystopian future at Paris Fashion Week
Published Saturday, June 25, 2022 12:24PM EDT Last Updated Saturday, June 25, 2022 4:57PM EDT
Models wear creations as part of the Chanel Ready To Wear Fall/Winter 2022-2023 fashion collection, unveiled during the Fashion Week in Paris, Tuesday, March 8, 2022. (Photo by Vianney Le Caer/Invision/AP)
LOEWE'S NATURE MORTE
THE ART OF THE INVITATION
The art of the chic invite is still very much a staple of the luxury industry in Paris.
CRAIG GREEN IMPRESSES
British designer Craig Green, who was appointed a Member of the Order of the British Empire (MBE) by Queen Elizabeth II this year for his contribution to fashion, is one menswear designer who continues to impress.
On Saturday he brought his utilitarian-edged wares from London back to the Paris runway for an inventive, fashion-forward take on uniforms.
Green developed his cutting-edge aesthetic after internships with names such as Walter van Beirendonck and Henrik Vibskov, leading to collaborations with Moncler.
Dangling stirrups, straps, pockets and accessories saw equestrian and fencing wear in pastel shades deconstructed with a transgressive or even an aggressive edge.
Green blurred the line deftly between art and fashion. One DIY look -- with a top that seemed to be an upside-down sink with a builder's ladder on the back -- also evoked an armor breastplate.
Is Green steadily taking the mantle of the late Alexander McQueen?
CASABLANCA'S RODEO
Cowgirls and cowboys mingled in Casablanca's eye-popping show that was notable for its highly unusual set. The co-ed collection was staged in front of several fenced-off horses that paid little attention to the clothes, passed waste nonchalantly and sniffed in the opposite direction.
Designer Charaf Tajer cared little for the indifferent equine reaction, sending down the runway energetic and enthusiastic looks that harked from the heartland of American rodeos and the Wild West.
It was a lot of fun.
Flamboyant shirt paneling in camp, pastel hues accompanied stiff, oversized lapels that were a take on the cowboy jacket. They were sometimes accessorized with large Liberace-style cowboy hats.
Color-blocking and vivid patterns added even more visual flair as bright red pants made for a dizzying contrast with a peak-shouldered canary coat and patches of pale blue.
HERMES' SOFT GEOMETRY
Gentle geometry and loose proportions paraded down the cobbled stone of The Gobelins Manufactory, a historic tapestry factory in Paris' chic Left Bank.
Hermes has become a byword for simple, unpretentious luxury. Veteran menswear designer Veronique Nichanian, who's been at the design helm over three decades, proved this again on Saturday in a classy and masculine showing that riffed on the 1980s.
It was a more relaxed affair than usual, with contemporary takes on Roman sandals and boxy, comfy baggy shorts.
There were the expected studies in contrasts. Tensions appeared in the proportions, such as in one oversize pastel gray jacket worn over a low-slung vest and high shorts. Difference appeared in fabric textures and colors: one sheeny taupe shirt came under a honeydew leather jacket above fluid black pants.
Gently geometric lines went on to adorn woolen sweaters in myriad hues.
There was no far-flung concept, gimmick or muse, unlike most Paris shows, simply because none was needed.